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We Hold Our Breath

A Journey to Texas Between Storms

Audiobook
1 of 1 copy available
1 of 1 copy available
Developed as the commercial hub of the Texas cotton and sugarcane industries, Houston was designed for profit, not stability. Its first residents razed swamplands into submission to construct a maze of highways and suburbs, giving the city a sprawling, centerless energy as storms and floods rattled coastal Texas.
When Hurricane Harvey made landfall in 2017, Fields set off from his home in Iowa back to the battered city of his childhood to rescue his mother. Fields tracks the devastation of Hurricane Harvey, one storm in a long lineage that threatens the fourth largest city in America.
Fields depicts the history of Houston with reverence and lyrical certainty, investigating the conflicting facets of Texan identity that are steeped in racial subjugation, environmental collapse, and capitalist greed. He writes of the development of the modern city in the wake of the destruction of Galveston in 1900; of the oil booms and busts that shaped the city; of the unchecked lust for growth that makes Houston so expressive of the American dream.
We Hold Our Breath is a portrait of a city that exists despite it all, a city whose story has always been one of war waged relentlessly against water.
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    • Publisher's Weekly

      April 17, 2023
      Essayist Fields’s evocative debut explores the development of his native Houston, Tex., against the backdrop of the many storms that have inundated America’s fourth-largest city. When Hurricane Harvey hit in 2017, Fields’s complicated feelings and “illogical love” for his hometown came rushing back as he set out from Iowa to rescue his mother. Noting that Houston was “gouged out from the sucking bowl of a swamp,” Fields traces the city’s evolution from a slavery-dependent agricultural economy to the hub of the U.S. oil and gas industry, highlighting how its lack of zoning and laissez-faire approach to regulations has led to its current environmental problems, including floods, chemical leaks, and air pollution. However, Houston’s “anything goes” attitude about land use has also made it a welcoming and affordable mecca for “the nation’s highest concentrations of immigrants from Vietnam, Pakistan and several other countries.” Fields also profiles noteworthy locals including oil heiress Dominique de Menil, who built a public art sanctuary in the center of the city in the 1970s; self-taught abstract painter and fisherman Forrest Bess; and air monitor Juan Flores, who leads “toxic tours” through Houston’s petrochemical corridor. The result is a vibrant, multilayered portrait of a city full of contradictions.

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  • English

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