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The World She Edited

Katharine S. White at The New Yorker

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0 of 1 copy available

A National Book Critics Circle Finalist

A lively and intimate biography of trailblazing and era-defining New Yorker editor Katharine S. White, who helped build the magazine's prestigious legacy and transform the 20th century literary landscape for women.

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.

This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.

White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker—Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life.

Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor—through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White—and reveals how she transformed our understanding of literary culture and community.

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    • Publisher's Weekly

      July 22, 2024
      An oft-overlooked woman shaped the New Yorker’s literary style, according to this penetrating biography from Reading (The Mark Inside). Katharine White (1892–1977) joined the New Yorker soon after its founding in 1925 and helped craft the magazine’s tone—sophisticated, witty, not too erudite or obscure—as fiction editor. Much of the book analyzes White’s artful handling of writers including Mary McCarthy, Adrienne Rich, and John Updike, highlighting White’s one-on-one editing sessions, generous advances (based solely on the testimonial of Edmund White, she gave Vladimir Nabokov $500 for his first short story), and tact (even her rejection letters could run to several pages of praise). Among the writers she influenced was her second husband, E.B. White, who wrote Charlotte’s Web under her nurturing influence and credits her with editing his and William Strunk’s The Elements of Style. Reading convincingly portrays White as a feminist pioneer who built a career in which she embodied the urbane, ambitious women who read the New Yorker and populated its fiction. The prose is lucid and elegant, evoking the style White infused into the magazine (she loved to read “an intense moment distinctively told, a small, well-rounded exercise of a writer’s personality and wit”). The result is a fine portrait of one of the New Yorker’s leading lights that nails the magazine’s hothouse sensibility. Agent: Geri Thoma, Writers House.

    • AudioFile Magazine
      There's plenty of meat in these 20+ hours chronicling the life and career of THE NEW YORKER'S defining editor, Katharine White. But much could have been condensed. The author has thoroughly researched White and the magazine, and Christa Lewis's forceful narration keeps to a good pace, even through the sluggish opening hours. The narrative comes together in the 1930s when the magazine, under White's editorship, emerged as a cultural force. One can hear Lewis savoring the insider details. For example, nearly bankrupt, THE NEW YORKER was saved by the timely repeal of Prohibition--and the consequent resumption of liquor advertising. White is an interesting and impressive figure, and Lewis does her full justice. D.A.W. © AudioFile 2024, Portland, Maine

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